Ricardo Eversley

"This manifesto draws its framework and rhythm from Edwin Yearwood’s song Something Greater Than Me. The lyrics offered a powerful lens through which to articulate my own path, anchoring my practice in resilience, equity, and the pursuit of something larger than the self."

Design Manifesto

  • Inspired by: “I’m a drifting stranger in the land of the not so free… where a poor man can't have equality...”

    I begin by recognising the systemic challenges in visual communication and education, resources, inequity and access. Just as Yearwood confronts societal restrictions and class divides, I ground my practice in awareness of disparities in technology, student background, and institutional systems.

  • Inspired by: “But we must keep tumbling and fighting on… man’s his own greatest enemy.”

    I commit to persistently advocating for equity in access, representation, and creative opportunity. I understand that my greatest barriers may sometimes come from within the system I inhabit, but also that persistent, informed effort can enable more people to discover the power of design.

  • Inspired by: “So I must believe that there's something greater than me… jail me wrongfully and I’ll still be free.”

    I anchor my practice in purposes beyond personal recognition: the transformative power of design to teach, communicate, and catalyse change. Even in institutional constraints, I remain free in intention guided by values of clarity, empathy, and resilience.

  • Inspired by: “Take your head out of the clouds and look till you see…”

    While visionary ideals matter, I maintain clarity and pragmatism. I set concrete goals for curriculum, workshop outcomes, and presentation clarity. I strive for designs rooted in accessibility and anchored in real-world relevance, while aspiring to elevate discourse.

  • Inspired by: “Man still tries to separate his own brothers with class and creed… when rich and poor convert back to dust, that dust texture remains the same.”

    I will cultivate inclusivity across my cohorts and audiences, bridging differences in background, medium, or tradition. My practice honors diverse aesthetic voices and lived experiences, believing that foundational common ground ties us all.

  • Inspired by: “My description of drug pushers make them out to look just like we… without any authority.”

    I recognise the power dynamics in pedagogy and presentation. Authority should come from humility and evidence, not mere position. I will model transparency, encourage questioning, and empower students as co-creators rather than passive recipients.

  • Inspired by: “Religions crying religions down… false profits counting the profits gain… while world leaders seemingly more concerned for their own welfare.”

    I am committed to academic integrity and authenticity, calling out superficial trends, market-driven gimmicks, or hollow design clichés. My presentations will reflect honest inquiry, not convenience or hype.

  • Although rooted in traditional methods, I also remain attentive to evolving tools and digital spaces. I honor teaching that reflects how things have always been done, while judiciously embracing innovation where it enhances learning and change.

  • Inspired by: “When rich and poor convert back to dust… that dust texture remains the same.”

    I’ll incorporate reflective exercises that remind students and audiences of shared humanity beneath the veneer of status. Through empathetic design assignments and collaborative projects, I emphasise that at our core, we share the same creative impulse and mortality.

  • The lyric’s repeated invocation of a “something greater” inspires me to hold faith in design’s capacity to elevate understanding, spark connection, and nurture resilience. My teaching and presentations will aim to be more than instruction, they will be gestures toward transformation.